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Books written by UTokyo professors--> Japanese English About UTokyo BiblioPlaza Latest News Contact Us About Us Latest News Contact Us Japanese Find a book Further refine the search See all Categories General Works Philosophy History Social Sciences Natural Sciences Technology Industry The arts Language Literature Browse All Law and Politics School of Engineering Humanities and Sociology School of Science Agricultural and Life Sciences Economics Arts and Sciences Education Pharmaceutical Sciences Frontier Sciences Information Science and Technology Information Studies Public Policy Library Institute of Medical Science Earthquake Research Advanced Studies on Asia Social Science Industrial Science Historiographical Quantitative Biosciences Atmosphere and Ocean Research Advanced Science and Technology Higher Education Counseling and Support Secondary to Higher Education Global Education Kavli Institute Future Initiatives The University Museum Education and Research on Asia Information Technology Spatial Information Science Disability Services University Corporate Relations Global Leadership Program Print this page Title Kuma Kengo Kamakura ni Chiisana Eikoku Antique Hakubutsukan o Tsukuru wake (Why building a small British Antique Museum in Kamakura) Author DOBASHI Masaomi (author), KUMA Kengo (editorial supervisor), MORI Hideo (photographer) Size 192 pages, A5 format Language Japanese Released September 28, 2022 ISBN 978-4-425-98541-8 Published by Seizando-Shoten Publishing Book Info Visit Publisher's Website See Book Availability at Library Kuma Kengo Kamakura ni Chiisana Eikoku Antique Hakubutsukan o Tsukuru wake Japanese Page view japanese page Click here to see some related books I went to junior high school and high school in Ofuna (more precisely, Tamanawa, Kamakura City). Therefore, Kamakura, which is adjacent to Ofuna, was my playground. It is an important place that helped me become the person I am today. I learned Japanese history directly from Kamakura, with my own body, not from a textbook. The topography of Kamakura is history in and of itself. Kamakura is where my interest in topography was sparked, and my experience there led me to design architecture as a kind of topography. I learned art from the former Museum of Modern Art, Kamakura (1951), whose original building was designed by Junzo Sakakura. Moreover, the bold dialogue between the environment of the Tsurugaoka Hachimangu Shrine grounds (such as the surface of the pond) and this museum became a model for the use of water in my architectural works. Therefore, I was so excited when I was asked to help build an art museum in Kamakura. The museum, which features British antiques, would be built along the path leading to Hachimangu Shrine, a location that brings me back lots of memories. I wanted to give back to Kamakura in some way.   It seems coincidental yet inevitable that the Kamakurabori Museum is located next to the site. I desired to capture in architecture the aesthetics of the samurai engraved into the Kamakurabori wood carving by the blade marks. Kamakura was the first city created by a samurai government in Japan. The challenging spirit of the samurai, who did not want to be bound by the established Kyoto-centered system, can be seen in the sharp and violent blade marks of Kamakurabori carvings. It continues to strike a chord with us.  I observed, when I worked on a project in Scotland, that this samurai spirit is, in a way, similar to the ethos of Britain. It is often said that Britain is a conservative country that honors tradition. However, in reality, the British culture was shaped by those who challenged Rome or Paris, which were the centers of Europe. This is reflected in the rationalism of the Industrial Revolution; Britain challenged Rome and Paris, just like Kamakura challenged Kyoto.   It was a delightful experience to design the BAM Kamakura with such a historical framework in mind. Masaomi Dobashi, the collector with an incomparable passion, exudes energy like Kamakura and Britain. I even felt that this energy was the polar opposite of what one would normally associate with words such as “nostalgia” or “antiques.”   (Written by KUMA Kengo, University Professor / Professor Emeritus, Office of University Professor, School of Engineering / 2023) Related Info British Antique Museum / BAM Kamakura | KENGO KUMA & ASSOCIATE https://kkaa.co.jp/en/project/british-antique-museum-bam-kamakura/   BRITISH ANTIQUE MUSEUM KAMAKURA Web Site https://www.bam-kamakura.com/en Related Books KUMA Kengo “Zen Shigoto” KUMA Kengo “Ten, Sen, Men” KUMA Kengo “Kuma Kengo Onomatopoeia Kenchiku” KUMA Kengo “Philip Johnson: Glass House” KUMA Kengo “Hiroba” KUMA Kengo “KENGO KUMA LAB IN TOHOKU” KUMA Kengo “Nihon-jin wa dou sumaubekika?” KUMA Kengo “Naze Boku ga Shin-Kokuritsu-Kyogijo o Tsukurunoka” KUMA Kengo “Kenchiku-ka, Hashiru” KUMA Kengo “WAJI Fudō” KUMA Kengo “beyond2020 LEGACY” KUMA Kengo “Tenjo no Niwa” KUMA Kengo “Nettai-Kenchikuka” Try these read-alike books: @UTokyoBiblioPlazaon Twitter Find a book Books by Category General Works Philosophy History Social Sciences Natural Sciences Technology Industry The arts Language Literature See all Categories Books by Graduate Schools and Faculties Browse All Law and Politics School of Engineering Humanities and Sociology School of Science Agricultural and Life Sciences Economics Arts and Sciences Education Pharmaceutical Sciences Frontier Sciences Information Science and Technology Information Studies Public Policy Library Institute of Medical Science Earthquake Research Advanced Studies on Asia Social Science Industrial Science Historiographical Quantitative Biosciences Atmosphere and Ocean Research Advanced Science and Technology Higher Education Counseling and Support Secondary to Higher Education Global Education Kavli Institute Future Initiatives The University Museum Education and Research on Asia Information Technology Spatial Information Science Disability Services University Corporate Relations Global Leadership Program Introduced here are works by outstanding young researchers who have completed their doctoral courses at The University of Tokyo. 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